By the seaside
Piet Mondrian likes to visit Domburg. The dunes, the sea, the bright light, they are all still the same. This walk takes you past the most beautiful places in Domburg and shows the seaside resort as Mondrian saw it.
After getting to know Domburg in 1908, Piet Mondrian visited the village twice in summer 1909 with his friend and fellow artist Kees Spoor.
In June 1909 Mondrian and Spoor stayed at Hotel Schuttershof. When they returned to Domburg later that summer – it is unclear exactly when – they opted for Pension Wisse, run by the former farmer Ko Wisse and his wife, Maatje Wisse-Louwerse. Mondrian probably stayed here again the following year.
Albert van den Briel, a friend of Mondrian’s from Wageningen, stayed with him and Spoor for a few weeks in 1909. Van den Briel recalled,
“Mondrian usually worked outside, and sometimes in his and Spoor’s sitting room. But he preferred being outdoors, sometimes doing nothing, just looking about quietly, sitting on the Hoge Hil or in the woods.”
Though Mondrian concentrated on painting the dunes and church towers that summer, he also painted two portraits. One, Zeeland Farmer, was of the pension keeper Ko Wisse, and the other was of his eldest daughter, Adriana Maria, also known as Joanne. She recalled sitting for Zeeland Girl in the garden, with Mondrian working at the kitchen table, which had been moved outside.
Zeeland Farmer and Zeeland Girl are colour experiments. Working with a shimmering palette predominantly made up of reds and blues, Mondrian went well beyond attempting to achieve a good likeness of either subject. According to a source at the time, he was seeking to represent “the psyche of every farmer”. The portraits were radical in their daring use of colour and uncompromising contrasts.
Piet Mondrian likes to visit Domburg. The dunes, the sea, the bright light, they are all still the same. This walk takes you past the most beautiful places in Domburg and shows the seaside resort as Mondrian saw it.